Cuéntame como termina
ph Tonatiuh Calderon_Tijuana (MX)Dimmi come va a finire
[Public Literature]Un progetto di Sara Leghissa in collaborazione con Giulia Palladini
La performance Dimmi come va a finire è una conferenza pubblica temporanea, in cui i muri della città diventano pagine per una lettura collettiva di frammenti dell’omonimo libro della scrittrice messicana Valeria Luiselli (2017), che raccoglie storie apprese dall’autrice durante il suo lavoro come interprete presso il tribunale di New York: storie di minori non accompagnati che, da molti anni, attraversano da soli la frontiera tra Messico e Stati Uniti.
Dimmi come va a finire è stato commissionato e concepito specificamente per il progetto Rumbos de Vida/Fronteras, curato da Giulia Palladini e Rodolfo Suarez Molnar.
Tell me how it ends
A project by Sara Leghissa in collaboration with Giulia Palladini
The performance Tell me how it ends is a temporary public lecture in which the walls of the city become pages for a collective reading of fragments of the Mexican writer Valeria Luiselli's book of the same name (2017), which collects stories learned by the author during her work as an interpreter at the New York City Courthouse: stories of unaccompanied minors who, for many years, have been crossing the border between Mexico and the United States alone.
Tell me how it ends was commissioned and conceived specifically for the Rumbos de Vida/Fronteras project, curated by Giulia Palladini and Rodolfo Suarez Molnar.
The performance Tell me how it ends is a temporary public lecture in which the walls of the city become pages for a collective reading of fragments of the Mexican writer Valeria Luiselli's book of the same name (2017), which collects stories learned by the author during her work as an interpreter at the New York City Courthouse: stories of unaccompanied minors who, for many years, have been crossing the border between Mexico and the United States alone.
Tell me how it ends was commissioned and conceived specifically for the Rumbos de Vida/Fronteras project, curated by Giulia Palladini and Rodolfo Suarez Molnar.
pic Rodolfo Suarez Molnar_Pescara